Solaris was written as an overture to begin a concert that could feature Holst’s The Planets. Just as Holst fashioned a suite based on the characteristics of the Gods and Goddess associated with the planets, Solaris attempts to capture the essence of the Sun.

The piece is divided into three sections. The first section depicts the inhospitable nature of the Sun, a behemoth of burning gas with gigantic flares leaping off of the surface. The music is fervid and aggressive with continuous rhythmic passages for the strings and winds, and dramatic swells from the percussion and brass. 

The energy abates in the second section and the mood becomes much more peaceful. This section suggests the lonely vacuum of space and the huge distance the Sun’s energy must travel to reach the corners of our universe. Hushed strings and wisps of woodwind filigree set a mysterious mood, followed by melancholic solos for the bassoon, violin and cello, French horn, and the oboe. Gradually, as the Sun rises on our tiny planet, the delicate melody previously introduced by the oboe transforms into a noble fanfare for the full brass — a celebration of the Sun’s life-giving energy.

The piece concludes with a recapitulation of music from the first section, and an energetic flurry for the brass and strings.

June 2000

Solaris

June 2, 2000
CALGARY PHILHARMONIC ORCHESTRA
Conductor: Hans Graf
Jack Singer Concert Hall
Calgary, Alberta
Canada

"….a virile, stirring piece, and entirely pleasant listening experience." –Alan Conter, Globe and Mail, December 11, 2001

For more information on score and parts rental for Frenergy, contact John Estacio or the Canadian Music Centre.